Even though my 10 year old daughter had never taken ballet before, the staff and teachers at Classical Ballet School made her feel very welcome. Her teacher is very qualified, and I’ve been so happy with my daughter’s training, which has been consistent and well structured.
— Christy Cole
Ms. Julie provides such a great mix of fun with foundation. Her class is very structured, and my daughter has been challenged to learn and grow and focus.
— Jessie Motsinger

Julie Bierne, Owner and Director

Julie Bierne is a former ballerina with Ballet Oklahoma (now Oklahoma City Ballet).  There she danced in productions of Carmen, Coppelia, Les Sylphides, Tangos, and many Nutcrackers among others.  Her favorite role was the “Peasant Pas de Deux” in Giselle, her favorite ballet.  At the age of 15 Ms. Bierne was accepted into the Los Angeles Ballet summer intensive program. It was there, under the watchful eye of Russian ballerina, Irina Kosmovska, that her technique and artistry blossomed.  Julie has a long history with the school and has known Classical Ballet Founder, Kay Sandel, since moving to Oklahoma in 1977.  When Julie finished her professional career, she chose Classical Ballet School for herself and her daughter.

Julie holds a Bachelor of Arts in Liberal Arts from the University of Central Oklahoma and has studied abroad at the Université de Paris, Sorbonne, France.  She has many years of business and marketing experience in the luxury hotel industry and has served as Education Director for the Air Force—creating curriculum, training and certifying volunteer staff, and managing education programs to Department of Defense compliance standards for students of all ages.  These competencies give Ms. Bierne the expertise to direct both the business and artistic aspects of Classical Ballet School as one of the premiere ballet schools in the state of Oklahoma.

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Cynthia Schmidt, Leap 'n Learn Young Child Specialist

Cynthia Schmidt grew up taking ballet classes at Classical Ballet School, starting in pre-ballet at the age of 5 years old. She grew up watching her mother take the advanced classes and wanted to be just like the older girls someday. She has been in many of the school’s performances. Her favorites were Alice in Wonderland and Hansel and Gretel.

Cynthia has worked with children for many years as a counselor at Camp Fire’s Camp DaKaNi, as well as Camp Chaverim at Temple B’Nai Israel. She currently works as a receptionist at Wedgewood Pet Clinic when not dancing.

Cynthia believes that everyone should be able to learn ballet, and is excited to be able to share her love of dance with the students at Classical Ballet School.

 Madaya Eakins, Jazz/Tap/Stretch&Strength

Madaya is pursuing her BFA in Dance Performance at the University of Central Oklahoma. She graduated as a Dance Major from Classen School of Advanced Studies and trained at Everything Goes Dance Studio for 13 years. Madaya is trained in ballet, modern, jazz, flamenco, tap and many other styles. She has a passion for flamenco and performed as a professional member of the late Shannon Calderon-Primeau’s ¡Flamenco Fantasticó! for 6 years. She has a love for musical theatre and has had the opportunity to choreograph musicals for Oklahoma City Parks & Recreation’s Performing Arts department. These musicals include Aladdin, The Apple Tree, Guys & Dolls, Seven Brides for Seven Brothers, and Anything Goes. One of Madaya’s favorite performances includes her role as Anita in UCO’s “Side Story: Just West of the Musical.” Madaya is a part of Kelsey Faulk’s “Project: Choreograph It.”, which originally came to fruition as a benefit concert for the American Foundation for Suicide Prevention and is now producing videos on YouTube to bring awareness to mental health. In January 2016, she choreographed and directed her own show, “You are enough.”, which was a benefit concert for the National Eating Disorders Association, a cause very near and dear to her heart. Madaya loves to share her passion for dance with the community and is excited to be joining the faculty at Classical Ballet School

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Kay Sandel, Founder & Artistic Advisor

Kay Sandel has danced professionally with Ruth Page’s International Ballet Co. of Chicago, the Chicago Lyric Opera, Tulsa Ballet, National Ballet of Washington D.C., and Ballet Oklahoma. She received her formal training in Tulsa with Roman Jasinski and Moscelyne Larkin (one of the five Oklahoma Indian Ballerinas), former members of the Original Ballet Russe. It was during this time that she danced for many years as principal dancer with the Tulsa Civic Ballet, the precursor of Tulsa Ballet Theatre. She was Artist-In-Residence for the Tulsa Arts and Humanities Council, presenting programs at local schools on the development of ballet. She was awarded a Ford Foundation Scholarship to study and apprentice with the National Ballet of Washington D.C., under the direction of Frederic Franklin. While there, she received further training from renowned teachers such as Maria Swoboda and Oleg Tupine, and Sonia Arova. She has danced many roles in such ballets as Nutcracker, Carmina Burana, Con Amore, Bolero, Swan Lake, Pas de Quatre, La Favorita, Afternoon of a Faun, Prodigal Son, and Coppelia. She also danced the part of Myrtha in Giselle with Maria Tallchief (another of Oklahoma’s Indian Ballerinas).

Kay has been teaching ballet for over 30 years. Her insistence on purity of line, cleanliness of technique and the importance of expression has enabled many of her students to be accepted into professional dance companies and prestigious schools such as School of American Ballet, Joffrey Ballet School, Boston Ballet, North Carolina School of the Arts, Kirov Academy, American Ballet Theatre, Ballet Magnificat, Tulsa Ballet, Kansas City Ballet, Harid Conservatory, San Francisco Ballet, Pacific Northwest Ballet, and Oklahoma City Ballet. She is Artist-in-Residence at Oklahoma City University and regularly choreographs for the American Spirit Dance Company. Ms. Sandel also guest teaches at dance conventions and competitions and regularly attends international teacher workshops.